Warner's particular methods of stylization and simplification of boundary and texture, combined with his unique interpretations of color and color reactions, became a kind of release of new energy in his work; the details of landscape and architecture became dismembered from their exclusive meanings as possibly known places, and devolved into the kind of playful interactions of discrete and abstracted forms seen in the work of Kandinsky and Frank Lobdell. 

In addition, Warner's methods of collage and abstraction released structure and form in his work, and created a critical threshold of structural complexity and interactions, similar in structural density to Willem De Kooning and Jackson Pollock.  View Warner's work